Nirvana mtv unplugged dumb
In 2003 it was ranked number 311 on Rolling Stone's list of the 500 Greatest Albums of All Time. The album won a Grammy Award for Best Alternative Music Album. Cobain used the guitar in Nirvana’s famous MTV Unplugged set, which featured stripped-down renditions of classics including Come As You Are, About A Girl and Dumb, in. MTV Unplugged in New York includes two songs which were not aired on the original television broadcast of the concert: "Something in the Way" and "Oh, Me". It was hailed by critics as proof the band was able to transcend the grunge sound they were commonly associated with. The album debuted at number one on the Billboard 200, and has become the group's most successful posthumous release, selling five million copies in America by 1997. Nirvana - Dumb (Live On MTV Unplugged, 1993 / Unedited) 4:41 Nirvana - Plateau (Live On MTV Unplugged, 1993 / Rehearsal) 4:39 Nirvana - Pennyroyal Tea (Live On MTV Unplugged, 1993 / Unedited) 4:30 Nirvana - Jesus Doesnt Want Me For A Sunbeam (Live On MTV Unplugged, 1993 / Unedited) 4:38 Nirvana - The Man Who Sold The World (Live On MTV. MTV Unplugged in New York was the first Nirvana album released in the wake of the April 1994 suicide of singer/guitarist Kurt Cobain. As opposed to traditional practice on the television series, Nirvana played a setlist composed of mainly lesser-known material and cover versions of songs by The Vaselines, David Bowie, Meat Puppets (during which they were joined by two members of the group onstage) and Lead Belly. REMASTERED IN HDTaken from the 25th Anniversary Editions of Nirvana MTV Unplugged in New YorkOrder Now: Dumb Remastered MTVUnplugged VEVOhttp. The show was directed by Beth McCarthy and first aired on the cable television network MTV on December 14, 1993.
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It features an acoustic performance taped at Sony Music Studios in New York City on Novemfor the television series MTV Unplugged.
MTV Unplugged in New York is a live album by the American grunge band Nirvana. As one of the best albums of 1994, it was best summed up by Mojo as "…a performance of raw vulnerability that served as the perfect epitaph for poor Kurt Cobain".